The documentary film "Cinematic Language of the Era: Marlen Khutsiev" is timed to coincide with the upcoming centenary of the master. In our film, talking about the life, work and dreams of Marlen Khutsiev, we focus the viewer's attention on the master's unique film language. And through cinematic language we reveal the director's personality.

Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.

「思い出して、翅（はね）があったころのことを」 　　1万2千年前の想いに応え、繋がったのは欠けたこころ。 　　太陽と月と火星が出会うとき、新たな合体の調べが流れる──！ 　　湘南の海に浮かぶ小島、江の島。 　　美しくのどかなその浜辺に、〈私立江ノ島学園〉はある。 　　学園には、全国から優秀な子どもが集められ、 　　最新の機器を使った英才教育が施されていた。 　　特殊強化クラスの生徒〈エレメント〉に選ばれたサッコ、リミヤ、トシは、 　　感情の力で動く戦闘機〈ベクターマシン〉の操縦を命じられ、 　　謎の侵略兵器〈神話獣〉との戦いを余儀なくされる。 　　戦いのさなか、不可思議なヴィジョンに導かれ、サッコは叫ぶ──。 　　「想星合体！　GO、アクエリオン！」 　　繰り返される輪廻の果てに、現れた機械天翅アクエリオン。 　　宿命を背負った少年少女は、 　　得体のしれない団体〈宇宙たまごの会〉や大人たちの思惑が交錯する中、 　　この宇宙の真実と向き合っていくことになる……。 　　これは、おのれの感情と宇宙の存亡を賭けて紡がれる、壮大な愛の神話。

「思い出して、翅（はね）があったころのことを」 　　1万2千年前の想いに応え、繋がったのは欠けたこころ。 　　太陽と月と火星が出会うとき、新たな合体の調べが流れる──！ 　　湘南の海に浮かぶ小島、江の島。 　　美しくのどかなその浜辺に、〈私立江ノ島学園〉はある。 　　学園には、全国から優秀な子どもが集められ、 　　最新の機器を使った英才教育が施されていた。 　　特殊強化クラスの生徒〈エレメント〉に選ばれたサッコ、リミヤ、トシは、 　　感情の力で動く戦闘機〈ベクターマシン〉の操縦を命じられ、 　　謎の侵略兵器〈神話獣〉との戦いを余儀なくされる。 　　戦いのさなか、不可思議なヴィジョンに導かれ、サッコは叫ぶ──。 　　「想星合体！　GO、アクエリオン！」 　　繰り返される輪廻の果てに、現れた機械天翅アクエリオン。 　　宿命を背負った少年少女は、 　　得体のしれない団体〈宇宙たまごの会〉や大人たちの思惑が交錯する中、 　　この宇宙の真実と向き合っていくことになる……。 　　これは、おのれの感情と宇宙の存亡を賭けて紡がれる、壮大な愛の神話。

Body Language is an erotic softcore television series which takes place inside a strip club. The series was created by Zalman King. It aired on Showtime from September 6, 2008 to August 28, 2010.

Love and political passion shared between an activist and his punk singer girlfriend goes to extremes as violent repression pushes them over the edge.

Following a failed engagement, Lou discovers she has a talent for writing other people’s wedding vows. Word spreads across Chicago’s wedding scene and Lou’s services are in high demand. She even has a new admirer in Dash. But everything changes when she’s asked to write vows for Olivia, who’s marrying Warren, Lou’s old college flame.

Body Language is an American game show produced by Mark Goodson Productions. The show aired on CBS from June 4, 1984 until January 3, 1986, and was hosted by Tom Kennedy. Johnny Olson announced until his death in October 1985; Gene Wood and Bob Hilton shared the announcing duties afterward, and had substituted on occasion before that.The show pitted two teams against each other, each consisting of a contestant and a celebrity guest. The gameplay centered around the party game charades, in the same vein as the earlier Goodson program Showoffs, but contestants also had to solve word puzzles to win money, making Body Language a cross between Showoffs and Password Plus.

Body Language is an American game show produced by Mark Goodson Productions. The show aired on CBS from June 4, 1984 until January 3, 1986, and was hosted by Tom Kennedy. Johnny Olson announced until his death in October 1985; Gene Wood and Bob Hilton shared the announcing duties afterward, and had substituted on occasion before that.The show pitted two teams against each other, each consisting of a contestant and a celebrity guest. The gameplay centered around the party game charades, in the same vein as the earlier Goodson program Showoffs, but contestants also had to solve word puzzles to win money, making Body Language a cross between Showoffs and Password Plus.

A broken camera and three rolls of film, two daylight and one tungsten, capture days with Eva. The version of the woman on celluloid is more foreign to her than to me, and the version of herself speaking these languages is more foreign to me than to her, but both are not fully in our grasp and slip away and decay. They do not belong to either of us but to time—much like how languages are imperfect and adapt to the needs of those who speak them. 　　Time causes disintegration, wherein different variations and versions emerge. Because of physical separation, my grandmother slowly forgets her native tongue and the languages she spoke as a child, mirroring the movement and transformation of living languages. The act of remembering brings back these decomposing versions of past selves, selves that never were or briefly were, then hidden away but not discarded. The film intentionally chooses to leave all sequences unsubtitled.